Category 2007-2008 archive
…the L word…
“…the L word…” “…the bass can kill you…” “…just like Beirut…” …just a few phrases that echo from Urban Theatre Project’s new production, (not) exploring ‘the C word’, opening in November 2008: stories of love and hate How many articles, short films, theatre works, books have been produced since December 2005? How many meetings, seminars, […]
this business of self…
i woke from a dream, her voice still clearly in my head: i think this business of self. is being. and self criticism. not being existentialist nor essentialist. but being, in agency. centre through decentre. 3weeks ago, i quietly went alone to Black2BLAK2 nsw aboriginal visual arts conference campbelltown arts centre djon mundine speaking […]
… spitting distance?!
the morning after attending a public forum entitled: ‘opening our theatres to ethnic stories and players’ ***###%%%@@@@???!!!???!!!shou??!!who is asking the question?who is considering doing the opening? on whose terms?whose theatres are ‘our’ theatres?who are ‘ethnics’? and what does that word mean again?!?etc etc etc although these days i am not actively / consistently engaged in […]
Baris ila Burramatta ila Baris ila …
Some of my internal dialogues during and after the presentation and discussion @ A tale of two cities: from Paris to ParramattaMulticulturalism, community and cultural development: a transnational perspective.Paula Abood @ Parramatta Artists Studios on 16 June 2008 • In a process of interviews and action research, ‘who’ is asking / posing the questions (regardless […]
…and now back to 3arabi-mapping
essentially what i want to do through 3arabi-mapping: ~ record conversations with 3arab artists, where they are reflecting on their own critical questions about their own work processes, within their own terms… ~ map out for ourselves, how 3arab arts networks have grown and diversified since 1991 ~ collect some images and sounds of cultural […]
current bio-conspiracy…
Alissar Chidiac has been engaged in community and cultural development work for almost 30 years. She has had a specific focus on contemporary Arab cultural and heritage work since 1991. She worked at the Powerhouse Museum in Sydney, 1998 to 2004, where she initiated a diversity of programmes, community partnerships and exhibitions through the wattan […]
qalbee wat’r saoutee
qalbee wat’r saoutee…my heart, the cords of my voice listening with my eyesandspeaking with my heart
khay! quietness…
khay!quietness and silence… can quietness and silence and withdrawal be forms of resistance or social change?is it possible that community cultural development work, as life work, can have slower approaches – so slow that there are long periods of quiet? maybe i am emerging from four months of relative quietness.but i have grown to love […]
3arabi Mapping 